ATS
4.21
Peace out
Transcribed by:
CariCranberry
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CONNOR (V.O.)
Previously on Angel:
1 INT. CORDELIA'S
ROOM AT HOTEL / ANGEL INVESTIGATIONS - NIGHT
The gang is gathered in Cordelia's room where Cordelia is now laid out on her
bed. Gunn and Fred are lighting candles. The group is arranged in a loose circle
as they all stare at the woman, smiling.
GUNN
You're a power that... was?
Cut to:
2 INT. LOBBY AT
HOTEL / ANGEL INVESTIGATIONS - NIGHT
Fred and Lorne are in the lobby when Angel and Connor come back. Wesley and Gunn
run into the lobby and join the others.
ANGEL
We've all been saved. (kneels)
JASMINE
For so long you've all been drowning in the fighting and the pain. I'd like to
help.
Cut to:
3 INT. ROOM AT HOTEL
/ ANGEL INVESTIGATIONS - NIGHT
In a huge suite that's been decorated and prepared for the woman, Fred walks in
carrying the woman's shirt.
FRED
(walks into the room holding the shirt up and scrutinizing it) I scrubbed the
other one 'til my fingers bled, but I couldn't get out the— (looks up at the
woman and sees a horrifying vision of maggot-infested decaying bloody flesh
where the woman's face should be)
WOMAN
Fred?
FRED
Blood.
Cut to:
4 INT. CORDELIA'S
ROOM AT HOTEL / ANGEL INVESTIGATIONS - NIGHT
Cordelia is lying on her bed, still unconscious. Fred holds a small bowl under
Cordelia's hand to catch the blood as it drips from her.
FRED (V.O.)
Jasmine's blood. Somehow it breaks her spell when it mingles with ours.
Cut to:
5 INT. ROOM AT HOTEL
/ ANGEL INVESTIGATIONS - NIGHT
Gunn and Wesley stare forlornly at the ground.
ANGEL
We hoped Cordy's blood would have the same effect when we exposed you to it.
Wesley picks up Gunn's knife from the ground and holds it to Connor's throat. Wesley dips his fingers in the bowl of Cordelia's blood and slices Connor's chest shallowly. Wesley rubs Cordelia's blood into the cut.
CONNOR
(winces) Aah!
GUNN
You're back with us now, Connor.
Connor walks toward the door and opens it.
CONNOR
(yells out the door) They're here! Come quick! They're here.
Cut to:
6 EXT. STREET BEHIND
THE HOTEL / ANGEL INVESTIGATIONS - NIGHT
Wesley pulls the car out back behind the fire escape and screeches to a halt.
He's got Fred, Gunn, and Lorne in the car with him. Angel jumps in the car, in
the front seat beside Fred.
ANGEL
Drive.
The mob, followed by Jasmine, approaches the car. Wes puts it in reverse, screeching the tires as he pulls away. Jasmine watches them go.
Cut to:
7 INT. JASMINE'S
ROOM AT HOTEL / ANGEL INVESTIGATIONS - NIGHT
Jasmine is talking on the phone at a desk in her room. Connor is standing
nearby.
CONNOR
I'll bring them down, I promise.
JASMINE
This world is about to kneel before me.
Cut to:
8 INT. SEWER - NIGHT
Angel's leading the others through the sewers.
FRED
I doubt anyone under her control knows these tunnels better than you.
ANGEL
Where's Wes?
Cut to:
9 INT. DEMON LAIR -
NIGHT
The creature that snatched Wesley drops him on the floor and looks at him. The
demon is gray and skinny and makes an insect-like clicking noise. It has pincers
for hands, and four legs and two arms. It walks up to Wesley
DEMON
We loved her first! (clicks angrily)
WESLEY
Jasmine?
Cut to:
10 INT. JASMINE'S
ROOM AT HOTEL / ANGEL INVESTIGATIONS - NIGHT
Jasmine is talking on the phone at a desk in her room. Connor is standing
nearby.
JASMINE
Soon you'll go out with all of my strength behind you.
Cut to:
11 INT. DEMON LAIR -
DAY
Wesley's lying on the floor, backing away from the angry demon.
WESLEY
She has a name, and it has power over her! That's why she keeps it a secret!
While the demon is screaming at Wesley, Angel picks up the pincer he cut off the demon and stabs the demon in the neck with it. The demon screams in agony and falls to the floor.
WESLEY
Angel, that creature, it came from a world that's worshipped jasmine for
millennia, a world that we can reach through this. (holds up the blue sphere)
FRED
(running into the lair with Angel, Gunn, and Lorne) Connor. He's here.
ANGEL
I know. (shuts the door behind them)
Wesley touches a wound on his head, then touches the bloody fingers to the sphere. The sphere glows and sends out lightning bolts to open a portal nearby.
WESLEY
Angel, I got it! (helps hold the door) Someone who knows the truth has to live
through this. Angel, that's you.
Angel runs toward the portal while the others hold the door shut. Angel walks into the portal carrying the sphere.
GUNN
Time for the big fight scene.
Cut to:
12 EXT. DEMON WORLD
- NIGHT
Angel looks around as the harsh landscape on the demon world is covered with
hundreds of creatures like the demon who Angel killed. Angel looks around in
astonished horror at the demons as they encircle him, clicking angrily.
ANGEL
Oh, hell.
Fade to black.
13 INT. SEWER - DAY
Connor and his band of Jasmaniacs have located the room where Wesley, Gunn, Fred
and Lorne were hiding, and they've charged in fighting. Wesley and Gunn have
taken loose pipes and used them as makeshift weapons against their attackers.
Fred elbows a man in the face. Lorne uses his hockey stick to push an aggressor
away. A man points a gun at Fred and cocks it.
FRED
Charles!
Gunn looks over his shoulder at Fred. He fights off the people attacking him while he tries to get to her, but someone knocks him down. Fred is pushed to the ground, and a man points a gun in her face. Another person knocks Lorne in the head, and Lorne falls to the ground. Wesley is the only one still fighting back—he is definitely holding his own against the attackers until he's face-to-face with Connor. Connor knocks Wesley halfway across the room. When Wesley looks up, Connor's standing over him with a sword.
CONNOR
Angel.
Cut to:
14 EXT. DEMON WORLD
- NIGHT
Angel is standing on a cliff in a demon world holding the blue orb as a horde of
insect creatures surround him. Angel stares at the creatures, then glances at
the orb. He raises it threateningly in his hand, and the insects screech as they
back away from him. Angel turns around to see a bridge to a city of sorts.
There's a high mesa-like mountain in the middle of the city, and there's a
temple atop the mountain. Angel walks toward the bridge.
Fade to black.
Opening credits.
15 INT. SEWER - DAY
Connor has all four of Angel's gang—Wes, Gunn, Fred, Lorne—lined up on their
knees in front of him. He paces in front of them angrily as his people point
guns at their captives.
CONNOR
What did you think you could do? Poison the whole city with your hate? Your
tricks? Now I have no choice but to kill you.
WESLEY
Connor—
CONNOR
(points the tip of his sword at Wesley's face) Shut up. (scoffs) All your talk
about saving the world. Well... now somebody's gone and done it. Made everything
right... and good. (angrily) And you can't stand it because you're all so full
of yourselves. (whispers in Wesley's ear) Don't you get it? You're all alone
now. All of you. You're the ones left out in the cold. You... don't... belong.
GUNN
If belonging means following some bogus god and killing in her name, then you're
damn right we don't.
CONNOR
I'm not listening to your lies.
WESLEY
Jasmine's the lie. You've no idea what she is.
CONNOR
Yes, I do. She's mine. (raises his sword, ready to strike)
GUARD
(in Jasmine's voice) Connor, wait. Bring them to me.
CONNOR
Why?
GUARD
(in Jasmine's voice) Has it become necessary to explain my wishes to you?
CONNOR
No, just—
GUARD
(in Jasmine's voice) Then be a sweet boy and bring them. Intact. (Connor puts
down his sword) Thank you, Connor.
Cut to:
16 EXT. DEMON WORLD
- NIGHT
Angel struggles to climb the sheer cliff sides of the mountain in the middle of
the demon city. Using no equipment, only his fingers and toes, Angel has made
substantial progress as the camera pans out to show he's more than half way to
the top, where the temple is.
Cut to:
17 INT. JASMINE'S
ROOM AT HOTEL / ANGEL INVESTIGATIONS - DAY
Jasmine is talking to a group of her followers.
JASMINE
There's a long road before us, and there's still much to do, but we've made a
wonderful start, thanks to all of you. Your devotion and sacrifice have made a
difference. (crowd thanks her) Now if you'll join the others in the banquet
room, I'll be with you all shortly.
GIRL
Thank you, Jasmine.
BOY
Thank you so much.
The small crowd of followers leaves her room as Connor brings in Wesley, Gunn, Fred, and Lorne. Angel's gang is still bloodied from their battle in the sewers.
JASMINE
(to Angel's gang) So much pain, suffering...must hurt so terribly.
GUNN
Don't get all gloaty. Not the worst beating we've ever taken.
JASMINE
I meant the pain you've caused yourselves—letting go of me.
LORNE
Oh, by giving up absolute tranquility and perfect happiness? (chuckles) No loss.
Right, guys? (looks at the others) Guys?
JASMINE
I only wish it was within my power to take you back.
FRED
Nobody asked.
JASMINE
Where's Angel?
WESLEY
You're omniscient. You tell us.
Connor punches Wesley in the face.
JASMINE
Connor, please. I don't want to see that.
WESLEY
The creature in the sewer. You recognized it, didn't you?
JASMINE
Yes.
WESLEY
Just another one of your zealots?
JASMINE
A sentient, living being wanting what's best for his own. Is that so wrong? A
few millennia ago, his world was not unlike yours. Full of hatred and fear, wars
scarring its landscape.
GUNN
Until—let me guess—you came along and made it a paradise.
JASMINE
Well, as much of a paradise as one could with a bunch of insects to work with. I
helped them along. Kicked their evolution up a few ticks.
LORNE
And how'd that work out for 'em?
JASMINE
It was a trial run, an early experiment to work out the bugs, so to speak. I
won't make that mistake again. I know where Angel is, and I know what he's
looking for. He's wasting his time.
WESLEY
If you really believed that, you'd have killed us already.
JASMINE
Patience.
PATIENCE
(walks into the room) Yes, ma'am?
JASMINE
The news people have started to arrive. Please ask them to set up in the lobby.
I'll be ready to speak with them after I've eaten.
PATIENCE
Mm-hmm. (walks out)
WESLEY
So it's time, is it?
GUNN
Time for what?
WESLEY
Too much trouble conquering a primitive dimension, wasn't it, Jasmine? Or
whatever your name is. Must be nice for you that we have satellites to beam your
message to the rest of the world.
JASMINE
You're not wrong.
FRED
Oh, God. Connor, you can't let her do this. She'll enslave everyone.
CONNOR
She'll bring them together.
FRED
You don't— She's not what she pretends to be! She's—
GUNN
A monster.
FRED
Yeah. Cordy's blood that we put in you, it was supposed to break the spell. Show
you what she really looks like.
CONNOR
I know what she looks like. (show Jasmine with bloody, maggoty, rotting flesh)
She's beautiful.
JASMINE
Gentlemen, please show our guests to their accommodations.
Guards escort Wesley, Gunn, Fred, and Lorne out of the room.
WESLEY
Save us the euphemisms. We're bargaining chips to keep Angel quiet.
CONNOR
Quiet about what?
JASMINE
Connor, this address is going to be very draining for me. While I'm feasting to
build up my strength, I'm going to be out of touch with you, with everything.
You'll be my eyes and ears. You understand?
CONNOR
Yeah.
JASMINE
I want you to stand guard over them, make sure they don't escape. If Angel so
much as shows his face—
CONNOR
What is he looking for? Angel?
JASMINE
The unattainable.
Cut to:
18 INT. TEMPLE IN
DEMON WORLD - NIGHT
An oversized statue of Jasmine stands in an alcove inside a temple, lit only by
burning torches. Angel walks inside when someone talks to him.
VOICE (O.S.)
A long way to come, dead thing, only to fail. Don't worry. The way down will be
much, much quicker.
ANGEL
Thanks for the tip. Maybe I can use your body to cushion the blow.
VOICE (O.S.)
I doubt if my form would provide you much protection, but you're welcome to try.
A creature walks out from the shadows. Its body is shaped more or less like a human's, but it has little one-inch spikes all over its head and yellow-green skin. It's wearing a robe and necklaces.
ANGEL
You. You're the—
HIGH PRIEST
High priest, guardian of the word, caretaker of her most blessed temple.
ANGEL
Well, blessed temple's kind of empty, padre. So where are the other true
believers? Or are you it?
HIGH PRIEST
(chuckles) Betrayers, blasphemers. Centuries of waiting for her return have
caused most to doubt.
ANGEL
But, not you, her faithful P.R. flak.
HIGH PRIEST
She is the light. She is the way.
ANGEL
She is not coming back.
HIGH PRIEST
She will when she's through with your world.
ANGEL
You know, maybe we're not talking about the same person here. What's the name of
yours again?
HIGH PRIEST
(laughs) That's why you're here, dead thing. What you've come for. The word. The
name.
ANGEL
Good. You got that. So I don't have to ask it again. (grabs the priest by the
throat, lifting him off the ground; the priest chokes) What is it?
HIGH PRIEST
Fool. You can take away her power, but you've already lost... everything.
Cut to:
19 INT. BASEMENT AT
HOTEL / ANGEL INVESTIGATIONS - DAY
Connor closes Wesley, Gunn, Fred, and Lorne inside the cage they built in the
basement for Angelus. Connor starts to walk away, but Lorne calls after him.
LORNE
I just gotta know one thing. The reason our little blood ritual didn't raise any
veils for you. You've always seen Jasmine's true appearance, haven't you?
GUNN
(scoffs) You gotta be kidding me. You know what maggot-face looks like, and
you're still big with the worship?
CONNOR
(walks back toward the cage, sits in a chair) I grew up in Quor-Toth—a hell
dimension full of all sorts of things you can't even imagine. So, you know,
appearance? Not that important to me.
FRED
What is important to you, Connor?
GUNN
Not us, apparently. Or his own father.
FRED
What about Cordelia? She needs help, medical attention. I mean, who knows what
that coma's doing to her?
CONNOR
She's fine.
FRED
Are you sure? Have you checked on her? Connor, if you don't care for her, then—
CONNOR
She isn't—she's been moved.
GUNN
Moved? What do you mean?
CONNOR
Someplace safe, OK? She's taken care of, so just quit—
WESLEY
Connor, what does Jasmine eat?
CONNOR
What?
WESLEY
The creature in the sewer. It called her the "devourer." Devourer of what?
CONNOR
(shakes head) I don't know.
WESLEY
Don't you? The followers she randomly chooses to come to her room. The ones she
sent to meet her in the banquet hall.
LORNE
They're the banquet.
GUNN
Wait. People? She eats people?
FRED
Oh, no.
GUNN
"To Serve Man." It's "To Serve Man" all over again.
FRED
And now she's going global.
GUNN
You don't think Cordy's—
WESLEY
I hope not, but we really have no way of knowing, do we? (looks at Connor)
Cut to:
20 INT. TEMPLE IN
DEMON WORLD - NIGHT
Angel is holding the high priest up by his neck.
HIGH PRIEST
I know all about you, dead thing. She who brought us up out of the mud and
molded us into what we are has given me sight into the hearts and minds of
others. I see you. I know all about— (Angel squeezes harder) Aah!
ANGEL
Then you know I'm kind of in a hurry. Give me her name.
HIGH PRIEST
(choking) Keeper!
ANGEL
(lets the priest go) That's it? Caper?
HIGH PRIEST
The true name is known only by the keeper of the name.
ANGEL
Right. (grabs the priest's neck again) That's you!
HIGH PRIEST
No, I am the guardian of the word!
ANGEL
You said the word is the name.
HIGH PRIEST
Yes, and I guard the keeper of it.
ANGEL
So you're the keeper's keeper?
HIGH PRIEST
I am the Guardian of the Word!
ANGEL
Yeah, OK, so where's this Keeper of the Name? (the priest glances toward the
corner where another creature is kneeling; Angel lets the priest go) Swell.
HIGH PRIEST
The keeper will not be forthcoming. Only with its last breath will it divulge
the true name of the blessed devourer.
ANGEL
(walks up to the keeper) Ok, big guy, you got a name I need. So we can either do
this the easy way or the hard way. (the keeper stands) But you're gonna give me
her name or— (the keeper growls menacingly at Angel) Right. The hard way.
Fade to black.
21 INT. BANQUET HALL
AT HOTEL / ANGEL INVESTIGATIONS - DAY
Connor walks into the banquet hall teeming with people in various stages of
undress. He walks purposefully toward Jasmine who's talking to some of her
followers.
JASMINE (O.S.)
I'm so glad you're here.
NAKED GIRL
Thank you. Thank you so much. Before you came, my life was a mess. I had no job,
I was being evicted...
JASMINE
It's all right, Susan. You'll never be burdened with those worries again.
NAKED GIRL
The emptiness, the weight I've been carrying all my life—it's gone. All I feel
now—
JASMINE
(whispers as Connor comes up to her) Connor, is everything—
CONNOR
I need to talk to you.
JASMINE
(to the girl) Excuse us a moment.
NAKED GIRL
Of course, Jasmine. (leaves)
JASMINE
Can we do this later? I really hate to keep these lovely people waiting.
CONNOR
(softly) I'm sorry. I was— I was just wondering. I, uh... I wanted to know—
JASMINE
Cordelia.
CONNOR
Yeah. What did you do with her...exactly?
JASMINE
I told you. She's exactly where I need her to be, out of harm's way.
CONNOR
Yeah. I think I should know.
JASMINE
(sweetly) But there's no reason for you to know. Just take comfort in my words.
She's safe, and... (grimaces) You think I ate her.
CONNOR
What? No! No.
JASMINE
(smiles) It's all right, Connor. I'm not offended. But who would put such a
ridiculous idea in your head?
CONNOR
No one. I never thought— So, no, then... about the eating?
JASMINE
I could never hurt Cordelia Chase any more than I could you. You're my parents,
my tether to this world. It was your love that brought me here. (nods) I
understand. You miss her.
CONNOR
So she's still here. She's not in some alternate dimension?
JASMINE
Of course not. I had a few of my faithful move her to a secure location for her
protection.
CONNOR
Who? Who took her?
JASMINE
It doesn't matter. Just know she's alive and...well, comatose. And under
constant guard, much as our guests downstairs are supposed to be. (Connor nods
and walks toward the door) Thank you, Connor. Shut the door on your way out.
Cut to:
22 INT. TEMPLE IN
DEMON WORLD - NIGHT
Angel fights the keeper while the High Priest watches.
HIGH PRIEST
What is it you think you fight for, dead thing? Valor? What you call justice?
Your friends are dead... most likely. Or so you believe, so it's not for them
you fight.
ANGEL
(still fighting) I'm trying to save my world.
HIGH PRIEST
Your world?! A world that doesn't care for you? Doesn't want you.
ANGEL
(still fighting) It needs me.
HIGH PRIEST
So your Powers That Be tell you, and maybe they're right, but it's not why
you're here.
Angel throws the keeper across the room, knocking him out.
ANGEL
Ok, bugsy, you want to tell me what I'm fighting for?
HIGH PRIEST
Him.
ANGEL
(looks at the keeper) Him?
HIGH PRIEST
The boy. The woman you've already lost. The boy is what you're fighting for. But
you're going to fail. You're going to lose him, too.
The keeper wakes and attacks Angel from behind.
Cut to:
23 INT. LOBBY AT
HOTEL / ANGEL INVESTIGATIONS - DAY
Connor walks slowly, purposefully through the lobby while newsmen and women set
up for Jasmine's press conference.
NEWS PRODUCER
(to the technician) How's the satellite feed coming?
TECHNICIAN
(writing on his PDA) Uh, Moscow's on-line in 20. Paris and Nairobi little
longer.
NEWS PRODUCER
I almost envy 'em. First time you see Jasmine—nothing like it.
TECHNICIAN
Yeah.
WOMAN
I just feel so much more alive since I've been here, you know what I mean?
CONNOR
(smells the woman from behind, she turns around) Sorry. You kind of smell like,
uh...
WOMAN
Cordelia. (Connor walks away) Yeah, I read this was her favorite perfume.
FEMALE REPORTER
(cuts off Connor) Hi. Tracy Bellows, KTLA. Could I get you to say a few words?
This is such a special day, and as Jasmine's father, you must be so proud—
CONNOR
(continues walking away) Bursting.
FEMALE REPORTER
(smiling into camera) Ok, back to you, Hal.
Cut to:
24 EXT. GARDEN AT
HOTEL / ANGEL INVESTIGATIONS - DAY
Connor follows one of the people from the lobby out into the garden.
CONNOR
(to two people standing on the steps) Hey. Reporter's looking to interview local
followers inside.
FOLLOWERS
Oh, great. Thanks. (walk inside)
Connor walks up to the two men still in the garden—one of them is whom he followed from the lobby.
MAN 1
(holding a flower sprig, talking to his friend) The gu—guy in there says the
Lakers just disbanded. Evidently, the players needed more time to devote to her.
(notices Connor) Hi, Mr...
MAN 2
(holding a bunch of flowers) Jasmine's dad.
CONNOR
Connor.
MAN 1
Connor?
MAN 2
(gestures to his flowers) Jasmine for the press conference.
CONNOR
Right, 'cause she needs more of that. Listen, you're the guys who moved
Cordelia, right? I kind of need to know where she is.
MAN 1
You must have got your wires crossed. Right, Brent?
MAN 2 / BRENT
We didn't do anything with the transcendent mother.
CONNOR
(puts his hand on the man's shoulder) Hey, it's OK. Jasmine told me you two
helped move her. I mean, how else would I know, right?
MAN 1
Sorry, Connor. You're just gonna have to ask Jasmine.
CONNOR
(pushes the man against the wall, holding his forearm to the man's neck) I'm
asking you. (pushes Brent away, knocking him to the ground) I can smell her on
you. So tell me, and I'll crush your windpipe.
MAN 1
You mean "or," right? Or you'll crush my windpipe?
CONNOR
Where's Cordy?
Cut to:
25 INT. TEMPLE IN
DEMON WORLD - NIGHT
The keeper is choking Angel, holding him off the ground by his neck.
HIGH PRIEST
So much effort, always struggling, trying to make things right for the boy, for
Connor, but it's never enough. Why do you bother?
ANGEL
(struggling, choking) I can see you never had kids.
Angel breaks free of the keeper's grasp and they begin to fight.
HIGH PRIEST
The boy should not even exist. He was only a device to bring forth the blessed
she—
a means to an end.
ANGEL
Yeah, well, people get born for all sorts of reasons.
HIGH PRIEST
He will never love you.
ANGEL
It doesn't matter.
The keeper grabs a torch and swings it like a baseball bat at Angel.
HIGH PRIEST
Foolish dead th—
Angel ducks, and the keeper misses him, knocking the High Priest into spikes on the wall instead.
ANGEL
Oh. Oh, that'll work.
The keeper grabs Angel from behind and lifts him off the ground over its head.
Cut to:
26 INT. BASEMENT AT
HOTEL / ANGEL INVESTIGATIONS - DAY
Fred, Lorne, Wesley and Gunn are still locked inside the cage in the basement.
Wesley is standing, leaning against the wall, Lorne is sitting on the floor,
leaning against the wall, Fred is pacing nervously in the corner, and Gunn is
kicking the door to the cage.
FRED
I mean, starting not to look so good for us. Not that I'm giving up or anything.
Gunn kicks the door again.
LORNE
You can stop that anytime now.
GUNN
I will... (kicks the door) just as soon as somebody comes up with a better
idea... (kicks the door) to get us out of here.
LORNE
And then what, Kato? The anti-Jasmine crowd's about to become a staggering
minority on this planet.
GUNN
Yeah, well, first things (kicks the door) first. We'll worry about that when the
time comes.
LORNE
Bell's rung, babe. Time's come.
FRED
Weird—Connor walking out like that, you know? Leaving us unguarded.
LORNE
Yeah. If he's not careful, we might move about freely in our impervious 10 by 9
steel cage.
GUNN
Maybe we were getting to him.
LORNE
More than likely, her godliness summoned him for a little tender-lovin'—
WESLEY
Blood.
FRED
Is that some kind of ritual she has him doing? 'Cause...ew.
WESLEY
What? Oh, no, I was just thinking. Cordelia's blood, it had the same power as
Jasmine's to break the thrall she had over us.
FRED
So I figured. Mother and daughter, they share the same blood.
WESLEY
And now she's been moved—Cordelia. Why?
GUNN
Guess so people like us don't use Cordy's blood against Jasmine.
WESLEY
(paces) There are no people like us. Not anymore. We're it. She had us on the
run. And if Cordelia's so dangerous to her, why not kill her and be done with
it?
FRED
Because maybe she can't.
WESLEY
Exactly. I think Jasmine may be dependent on Cordelia. She can't hurt her, not
without hurting herself. But maybe Cordelia can hurt Jasmine.
GUNN
That's a whole lot of maybes.
WESLEY
Maybe, but if I'm right, Cordelia might be our only hope to stop Jasmine.
LORNE
If we can wake her up.
FRED
Wake her? We have to find her first.
Cut to:
27 EXT. CATHEDRAL -
DAY
A massive cathedral has a new message on its sign out front: "God is nowhere.
Jasmine is the way." Connor walks up to the sign, looks around, then walks up to
the front door and goes inside.
Cut to:
28 INT. CATHEDRAL -
DAY
Connor walks inside the cathedral to see the doors to the sanctuary are boarded
up. The place looks abandoned. Then two uniformed police officers walk up to him
and shine flashlights in his face.
CONNOR
Hi.
OFFICER 1
Hi.
CONNOR
Hi.
OFFICER 2
Sorry, but, um, you're not supposed to be in here.
CONNOR
(shrugs) Really? I had no idea.
OFFICER 1
(smiling) Yeah, nobody is allowed in. Jasmine's order.
OFFICER 2
(shrugs) Well, not "order" per se. More like a request really. I mean, it's not
like she actually gives orders. It's not in her nature. It's one of the things I
love about her. (chuckles) She treats everyone with equal—
CONNOR
I need to get in here.
OFFICER 2
Ok, friend... we're not communicating. You can't, so turn around and leave now,
or my partner and I are gonna have to get rough.
OFFICER 1
(to his partner) Please.
OFFICER 2
Oh, right. (to Connor) Please.
Connor throws the two officers through the sanctuary door. They land on the floor. When they try to get up, Connor knocks them out. He looks up the center aisle and sees someone laid out on the table, draped in see-through white tulle fabric.
CONNOR
Found you. (walks toward the altar)
Cut to:
29 INT. BANQUET HALL
AT HOTEL / ANGEL INVESTIGATIONS - DAY
A bright yellow-green light glows in the room. The light shrinks and shrinks
until it reveals a creature at the center with a tentacle or two sticking out.
After the sound of rearranging flesh, the light disappears completely, revealing
Jasmine at the center. She sits up on the couch, rubs her belly and smiles.
JASMINE
Mmm... there. Time for my close-up.
Fade to black.
30 INT. CATHEDRAL -
DAY
Connor is standing beside the person laid out on the altar, talking softly.
CONNOR
I wanted to see you again. I had to, to know that you're still here... with me.
(close-up to show the person on the altar is Cordelia) I'm sorry I haven't—
(sits on altar beside Cordelia) It's started, Cordy. The new beginning. Just
wish you'd wake up and see it. Just what you wanted. (looks down) I mean...
(stands, paces) it is what you wanted, right? Why you came to me? You
know...what this was all about? Protecting our baby—Jasmine—so she can...be, and
make this world the... the kind of place you wanted. And it is better. Not harsh
and cruel—the way that angel likes it so he has a reason to fight. (walks away,
angrily) 'Cause you know that's what he's about, him and the others. Finding
reasons to fight. Like that's what gives their lives any meaning. The only damn
thing! (punches the lectern, smashing it) I'm not like them. I just... (walks
back toward Cordelia) I want to stop. Stop fighting. I just want to rest. God, I
want to rest. But I can't. (looks at Cordelia with tears in his eyes) It's not
working, Cordy. I tried. I tried to believe. I wanted it. Went along with the...
the flow. (paces) Jasmine, she's...she's bringing peace to everyone, purging all
of their hate and anger. But not me. (chuckles, then angrily) Not me! I know
she's a lie. Jasmine. My whole life's been built on them. I just... I guess I
thought this one was better than the others.
Cut to:
31 INT. LOBBY AT
HOTEL / ANGEL INVESTIGATIONS - DAY
The female reporter is talking into the camera as the crowded lobby-full of
supporters awaits Jasmine's press conference.
FEMALE REPORTER
I can tell you, Hal, there is a feeling of terrific anticipation in the room as
I'm sure there is for our countless brothers and sisters across the globe
watching this broadcast.
MALE REPORTER
Many of us have already been touched by her power and her glory. And for those
who've yet to experience the sublime benevolence of Jasmine, this will easily be
the most momentous day in recorded history.
TELEMUNDO REPORTER
(speaking spanish) La bendita Jasmine entregará su mensaje en todos los idiomas
conocidos. Dependiendo de sus comentarios, esta transmisión, podrá continuar
durante este fin de semana.
(NOTE: Translation: Holy Jasmine will give her message in all known
languages. Depending on her comments, this transmission might continue until
next weekend.)
Cut to:
32 INT. HALLWAY IN
HOTEL / ANGEL INVESTIGATIONS - DAY
Jasmine's assistant, Patience, runs after the man Connor attacked in the garden
as he forces his way toward Jasmine's room.
PATIENCE
I told you she can't be disturbed.
MAN 1
But I need to tell her. She has to know—
JASMINE
(walks out of her room) Know what?
PATIENCE
(smiling) This young man says he was attacked.
JASMINE
Jeremy? Why would anyone—
MAN 1 / JEREMY
(kneels) He forced me to tell him where I took her—your mother.
JASMINE
Connor.
PATIENCE
Um, I'm sorry, ma'am, but your press conference.
JASMINE
Yes. Thank you, Patience. (walks away)
Cut to:
33 INT. LOBBY AT
HOTEL / ANGEL INVESTIGATIONS - DAY
The crowd oohs as Jasmine walks out toward the lobby.
FEMALE REPORTER
Oh, I believe that... Yes, she may be... Yes, yes, Jasmine. She's primed.
(supporters kneel as Jasmine walks to the balcony) Isn't she beautiful.
CROWD
Jasmine...
JASMINE
(smiling) Please. Please stand. (crowd stands) This is a moment to cherish, and
I want everyone to share it with me, heads held high. Welcome. And to all those
people of this remarkable world who are meeting me for the first time...(blows a
kiss to the crowd) mmwah. I want to thank you for allowing me to speak with you.
I come to you not as a leader or divinity, but as your partner in a venture to
make this the best of all possible worlds, without borders, without hunger, war,
or misery. A world built on love, respect, understanding, and, well, just
enjoying one another. Doesn't that sound nice? (smiles)
CROWD
Yeah. (applauds)
Jasmine is being broadcast on television. All the cameras are on her.
Cut to:
34 INT. BASEMENT AT
HOTEL / ANGEL INVESTIGATIONS - DAY
Gunn is still kicking at the cage door. They can hear the crowd cheering in the
lobby.
FRED
What's that?
WESLEY
Jasmine's world debut, I expect.
GUNN
So...we're alone. It's just us now.
LORNE
(stands) That's all, folks.
Cut to:
35 INT. LOBBY AT
HOTEL / ANGEL INVESTIGATIONS - DAY
Jasmine addresses the lobby full of reporters.
JASMINE
Now I know you have lots of important questions for me—difficult questions—and I
want you to know everything, so I'm going to open up the floor. (reporters raise
their hands) Yes, Tracy?
FEMALE REPORTER
Uh— (shocked) uh, you know my name?
JASMINE
That's right. You have a question?
FEMALE REPORTER
(still shocked) You know my name.
JASMINE
Anyone else?
MALE REPORTER
Uh, excuse me, Jasmine. What can we do to show our love for you?
JASMINE
You don't have to do anything except love one another. (smiles broadly) Although
a temple would be nice. Something massive and awe-inspiring, yet warm and
nurturing, celebrating the gentle pleasures of a peaceful, precious coexistence
where violent behav—
The crowd gasps as bright blue lightning erupts in the center of the lobby. It's a portal opening up. Angel steps out, holding the blue orb in one hand and the keeper's head in another.
JASMINE
Kill him! All of you, kill him now!
The crowd mobs Angel angrily, but he holds out the head threateningly, and they back away.
ANGEL
I'm sorry.
JASMINE
Don't.
Angel takes out a knife and cuts the threads that held the keeper's lips closed. A sound escapes its mouth, but it's not like any word known to mankind. It sounds more like a long breath. As soon as the keeper utters the word, Jasmine's face starts glowing green. Her spell to hide her true appearance begins to falter, and her rotten, maggoty appearance can be seen by everyone. The people panic and scream.
JASMINE
No! (glows white for a moment, improving her appearance slightly, so now her
face is rotting, but the maggots are gone) Please. Pay no attention. It's a lie.
See? I—I'm not— (everyone leaves the room in panic, screaming) Wait! Please!
Don't leave me!
Angel just stares up at Jasmine who tries to find a way out. Angel follows her.
Cut to:
36 INT. BASEMENT AT
HOTEL / ANGEL INVESTIGATIONS - DAY
Gunn, Lorne, Wesley, and Fred are still locked inside the cage as they hear the
screaming in the lobby above.
LORNE
What in the hell is goin' on up there?
FRED
It didn't sound good. I don't know what—
GUNN
(kicks at the door) I'll tell you what it was. The devourer chowing down, (kicks
at the door) and I bet you we're dessert.
WESLEY
Gunn, will you stop wasting your—
GUNN
(kicks at the door, and this time it opens; Gunn sighs proudly) Never give up,
never surrender.
WESLEY
Let's go. (walks out, the others follow)
GUNN
That's it? No thank you?
FRED
Thanks, Charles.
GUNN
I just want my props is all.
Cut to:
37 EXT. STREETSIDE -
NIGHT
Jasmine walks around the streets that once were peaceful, but now are chaotic.
People are screaming, there's panic and traffic jams and fires in the streets
now.
WOMAN
(frightened when she sees Jasmine) Oh! Oh, my God! No!
JASMINE
Don't be afraid! It's still me! I'm— (someone throws a rotten tomato at her)
listen to me! (closes her eyes) Connor...
Cut to:
38 INT. CATHEDRAL -
NIGHT
Connor's sitting by Cordelia's body, hanging his head in his hands, thinking,
when one of the cops speaks in Jasmine's voice.
OFFICER 2
(in Jasmine's voice) Father, I need you. Help me. Please.
Connor runs out of the cathedral as fast as he can, without hesitation.
Cut to:
39 EXT. BRIDGE -
NIGHT
Jasmine walks down the center of a street on a bridge as cars pass in both
directions.
ANGEL
(from behind her) Jasmine, it's over. You've lost.
JASMINE
(turns to face Angel) I've lost? Do you have any idea what you've done?
ANGEL
What I had to do.
JASMINE
No. No, Angel. There are no absolutes. No right and wrong. Haven't you learned
anything working for the Powers? There are only choices. I offered paradise. You
chose this!
ANGEL
Because I could. Because that's what you took away from us. Choice.
JASMINE
And look what free will has gotten you.
ANGEL
Hey, I didn't say we were smart. I said it's our right. It's what makes us
human.
JASMINE
But you're not human.
ANGEL
Working on it. (Jasmine turns to walk away) Where you going?
JASMINE
(walking away) Leave me alone.
ANGEL
Sorry, but... can't do that.
JASMINE
What? You've taken everything. You're gonna try to kill me now, as if you could.
ANGEL
Maybe not. But I'll die before I let you hurt anyone else.
JASMINE
You're already dead!
ANGEL
You know what I mean. It ends right here.
JASMINE
(crying) Why do you hate me so much?
ANGEL
Let's run down the list, huh? Rain of fire, blotting out the sun, enslaving
mankind, and, yeah, oh, yeah, hey, you eat people!
JASMINE
Like you never have?
ANGEL
Thousands of people are dead because of what you've done.
JASMINE
(walks up to Angel) And how many will die because of you? I could've stopped it,
Angel. All of it. War, disease, poverty. How many precious, beautiful lives
would've been saved in a handful of years? Yes, I murdered thousands to save
billions. (walks to the edge of the bridge) This world is doomed to drown in its
own blood now.
ANGEL
The price was too high, Jasmine. Our fate has to be our own, or we're nothing.
JASMINE
Like me?
ANGEL
(walks up to her, stands beside her) Look, we've all done horrible things. All
we can do is try and make up for it. So, OK, you know, it's not the world that
you wanted, but maybe you can still help us make it better, even if you have
lost your powers.
JASMINE
(looks down, then at Angel) Not all of them.
Jasmine punches Angel so hard that it sends him flying over the edge of the bridge. He lands on a car hood.
Fade to black.
40 EXT. BRIDGE -
NIGHT
Resume. Angel has just landed on top of a car after Jasmine punched him off of
the bridge. Jasmine, still on the bridge, picks up a station wagon.
ANGEL
(to car driver) Run. (the driver runs away)
JASMINE
(yelling from the bridge) Think the price was too high? You haven't begun to
pay!
Jasmine throws the station wagon over the bridge, it snaps a power line before crashing into the street and exploding. Jasmine jumps off the bridge, lands on her feet, and walks menacingly toward Angel.
JASMINE
Maybe you're right. Maybe I can still make this world a better place. (punches
Angel across the street) One body at a time. I loved this world. I sacrificed
everything I was to be with you.
ANGEL
So you could rule us?
JASMINE
Because I cared. The other Powers don't. Never really did. You know that's true
in your heart. Shame now I gotta rip it out.
Jasmine reaches for Angel, but he grabs the end of the power line and electrocutes Jasmine with the live end. The electricity sends her back a few feet, but doesn't hurt her. She walks back toward Angel.
JASMINE
I was forged in the inferno of creation, vampire. Do you really think a little
electricity would destroy me?
ANGEL
Worth a shot.
Angel punches Jasmine, but she's unfazed. She picks him up and throws him into a lamp post, snapping it in two. Jasmine walks over to Angel who's crawling on the ground coughing.
JASMINE
Remember the prophecy, Angel? The one that says in the time of the apocalypse,
you'd play a major part? How you never knew whether you'd be on the side of good
or evil? Well, now you know. (grabs Angel's face) Thanks to you, this frail,
little Power That Was has just enough strength in her to wipe out your whole
species. And it's all on your hands.
ANGEL
(punches her) This isn't my fault! (she grabs his throat) Go to hell.
JASMINE
You first, baby. (forces Angel into a kiss)
CONNOR
(walks up to Jasmine and Angel) Always the same, dad. I get a girl, you gotta
make a play for her.
Jasmine lets up on the kissing.
ANGEL
(gasping) Connor.
JASMINE
(smiling) Connor.
Cut to:
41 INT. LOBBY AT
HOTEL / ANGEL INVESTIGATIONS - NIGHT
Wesley and Lorne are walking through the empty lobby. Gunn comes downstairs and
Fred comes in from the garden.
WESLEY
Find anyone?
GUNN
We got ourselves a ghost hotel.
FRED
Garden's empty. This is incredibly creepy.
LORNE
Only in a post-apocalyptic "Night of the Comet" kind of way.
FRED
(picks up someone's purse from the floor) Do you think they're all—
LORNE
Dead. (holding the remote control) Dead air. TV stations going off line.
Something big went down.
GUNN
(picks up the keeper's head) Yeah. And here's its head.
WESLEY
Angel.
FRED
You sure?
Wesley heads toward the door, and the others follow.
GUNN
Where we goin'?
WESLEY
We have to find him and Cordelia before Jasmine does.
Wesley opens the door and stops still in his tracks. Everyone stares out the front door at the same thing.
FRED
Oh, my god.
Cut to:
42 EXT. BRIDGE -
NIGHT
Connor has come to the bridge where Angel and Jasmine were fighting. Jasmine
stands beside Connor, touching his shoulder. Angel's panting, weakly, staring at
them.
JASMINE
Connor, I still have you. Angel's ruined everything. But he can't defeat both of
us. You still believe in me, don't you? You still love me?
CONNOR
Yes. (punches Jasmine in the head so hard that his fist goes right through her
skull)
Jasmine falls to the ground, dead. Connor looks at her body, saddened.
ANGEL
Connor... It's OK. It's over. (Connor looks up at Angel) Look, I know this is
difficult for you. I'm just— I'm just happy to have you. (Connor walks away; a
weakened Angel tries in vain to follow him) Connor. Connor? Connor. Connor!
Connor runs off.
Cut to:
43 INT. LOBBY AT
HOTEL / ANGEL INVESTIGATIONS - NIGHT
Weakly, Angel stumbles in through the front door. The rest of the gang is in the
office. When they hear him come in, they all go out to the lobby.
FRED
Angel.
ANGEL
Oh, my God. You're alive.
WESLEY
Angel.
ANGEL
Jasmine's dead. I brought back her name and her powers were destroyed. (sits)
Connor killed her.
FRED
Connor?
WESLEY
Um, there's something—
ANGEL
I've never seen him like this. He wasn't hurt or angry, he just... killed her.
And his face, it—it was just blank, like he had nothing left.
WESLEY
(shakes his head) Angel, you really—
ANGEL
I've got a bad feeling. He's just...given up. I think he's gonna do something.
You know, he might—
LILAH
End world peace? (Angel looks over to see her standing in the office doorway)
Well, you already took care of that. Congratulations.
Cut to:
Closing credits.