LA FAMILIA DE CARLOS
IV
por Francisco de Goya y Lucientes, 1800,
280 x 336 cm
Goya did this collective portrait of the family
of Charles IV, who had appointed him as Court Painter, in 1800, and it would
be the last Royal portrait he would paint. Once again we can see that, while
other painters represented the monarchs "as they should be", Goya portrayed
them "as they really were". In this large canvas he did not hold back his
lack of affection for an expired monarchy of such scant effect , much like
the one that had been dethroned by French revolutionaries to the north. Goya
suscribed to the ideologies of Enlightenment and was accused of being "frenchified".
The royal family seems presided over by Queen Maria Luisa, as was in fact
the case, instead of by the king. Goya included himself, by way of a self
portrait, before a canvas on the left of the painting, as Velazquez had done
many years before when he painted the family of Philip IV, also known as "Las
Meninas". Goya always recognised Velazquez, along with Rembrandt and Mother
nature as his only three teachers. His technique, loose brush strokes that
are almost impressionistic, reached one of its highest levels in this painting.